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Laney - Digbeth Bass Plugin

by Aurora sp. z o.o. more by this developer →

#388,760 of 719,896 by ratings on Apple · #12,250 of 20,928 in Music

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Category: Music

Description

Laney Digbeth
A widely-known, acclaimed FET/Tube bass amp for modern players looking for vintage sound.

What’s inside
- Stomp section with 4 pedals with adjustable processing order.
- Cab section with 3 Laney cabs and an array of mic options.
- Output section with full 10-band graphic EQ and a limiter.
- Full parallel processing with adjustable section order.
- FX section (EQ, maximizer, and 2 limiters).
- FET / TUBE preamp channels (mixable).
- Bass dynamics section with sidechain.
- 3-band EQ with 4 mid-band modes.
- Mammoth processing section.

Stomp Section
Three pedals from Black Country Customs:
- The 85 Bass-interval a bass octave pedal with two parallel octaver modes.
- The Custard Factory bass compressor pedal with three modes.
- Blackheath distortion pedal with 2 distortion modes and an overdrive.
Fourth pedal is addition from Aurora DSP:
- Gamma Burst Bass-tortion three channels of drive with various characters.

The Amp
Digital recreation of the legendary 500 watt Digbeth bass head, with all its features:
- FET / TUBE preamp channels with option to mix both of them.
- 3-band EQ with 4 mid-band modes for different characteristics.
- TILT "EQ Seesaw" knob for an all-around tonal adjustment.

Cab section
- Four mics to choose from, for diverse tonal characters.
- Tone mixer for sound shaping and balancing.
- External IR loader.
- Three powerful and dynamic Laney cab models: 
-DBV212-4 
-DBV410-4 
-DBV810-4

FX rack
Signal chain designed specifically for bass guitars, combining top-tier analog modeling and digital processing to deliver a powerful, punchy, and refined bass sound. This rack is built with the following iconic modules:
- 10-band EQ
A classic graphic EQ, with 10 bands of +/- 12dB gain, proportional Q and VU meters. Enhanced with an additional drive module for vintage saturation.
- Sonic optimizer
An advanced signal processor for adjusting the character of the sound. Useful for improving the low-end definition, adding some high-end clarity, as well as adjusting the overall feel.
- Limiting amplifier
Based on a legendary FET compressor/limiter known for its fast attack times and transparent compression widely used in studios for bass to achieve punchy and smooth dynamics.
- Leveling amplifier
Modeled after an optical tube-based compressor with a warm, smooth character. With a slow attack and release, it's a favorite for bass processing, due to its natural-sounding compression.

BASS DYNAMICS
- An adjustable compressor with a filtered sidechain.
- "Placement" options for fitting the low-end better into the mix.

IN
- Crossover with 3 different modes and adjustable frequency (and an option to disable parallel processing completely).
- Low-cut and high-cut filtering.

OUT
- Bass/Treble mixer for controlling the levels after the parallel processing.
- Slam limiter for final dynamics adjustments.
- Full 10-band graphic EQ.


Additional features:
- Noise gate
- Tuner
- Metronome
- Built-in recorder for capturing riffs
- Cross-platform preset sharing
- Studio environment mode for headphones with control room simulation


Available in AUv3 and standalone

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History

Tracking since 09/05/2026. History accumulates as changes are observed — check back soon.